Author-driven
Authorship is choosing. Every final call was mine.
Process Note
On Writing With AI
How I wrote Nora and the Genius in the LLM — and what the tools made possible.
I wrote this book with AI. I want to tell you about the process, because I think it's part of the story — what happens when a mind that thinks in patterns gets a tool that can keep up.
Authorship
How I actually wrote it
I am a neurodivergent writer. My mind does not always move through language in a straight line. I can feel tone, structure, and rhythm long before I can produce the clean sentences publishing tends to treat as the real work.
For me, that was never the real work. The real work was returning again and again to the thing I was trying to make, refusing to let it be flatter or less true than I knew it could be.
AI entered that process — closer to sculpting than to generating.
Sentence-level craft
Every sentence had to earn its place. Most didn't.
Tested by ear
I listened to the audio hundreds of times. A line stayed because it sounded right out loud.
Technical Process
The software engineer in the room
Prompting as craft
Prompting, versioning, iteration, pattern recognition — the engineering was part of the drafting.
Literary standard
The workflow was technical, but the standard was literary. I tested language, rejected what felt false, and kept only what carried force.
Uncanny lines
Some sentences retain a strange quality people may associate with AI. I kept those when they were precise and alive.
Voice first
Most of this book started as voice-to-text — words through the body before they reached the screen.
Inner Experience
Intensity and hyperfocus
I feel things intensely. That intensity is not separate from the work — it's how scenes and sentences gather pressure until they have to be shaped into language.
My work lives where love becomes hard to separate from longing, danger, and the stories we tell ourselves in order to stay.
Hyperfocus was part of this. Disappearing into the work for long stretches, following rhythm and pattern until the book held together with an almost physical pressure.
After enough passes, every word had been handled and turned over enough times for the shape to feel inevitable. Not accidental. Built.
The poetry is in the choosing.
Personal Note
What this made possible
I come from a family of writers, and for years I quietly believed I might be the one who could not do it. AI did not make me a writer. It made it possible for me to write in the way my mind actually works.
If you are dyslexic, neurodivergent, hyperfixated, nonlinear, or someone whose imagination has always outrun your ability to produce words on command — these tools may change what's possible for you, too.
I am still the author. This book is still mine. And if the tool lets more writers work at the level of what they see, that's worth being loud about.
FAQ
Common questions
Did AI write the book?
I wrote it with AI as part of my process — prompting, iterating, choosing. The full story is above.
What did AI help with?
Momentum, expansion, phrasing, and working at the speed my mind wanted to go. It helped me get from the shape in my head to the sentence on the page.
What stayed fully mine?
Everything, eventually. The process was sculptural — handled and turned over until the shape became inevitable. Not a single decision, but a thousand passes until it stopped feeling like something I'd made and started feeling like something I'd found.
Why talk about this openly?
Because the process is genuinely interesting. And because if this tool changes what's possible for neurodivergent writers, that's worth saying out loud.
Pre-order Open
Pre-order on Amazon
Kindle edition · $9.99 · Releases April 20, 2026.